The Pickup Artist: The New and Improved Art of Seduction

January 31, 2010 by Lovedrop  
Filed under Featured Articles, News & Events

The Pickup Artist: The New and Improved Art of Seduction

The Pick-Up Artist 2 (tv show) is a reality show on VH1 and iTunes, starring our very own Mystery and Matador. (Click for full article.)


The Pickup Artist: The New and Improved Art of Seduction (the book) is our new release from Villard books, by Mystery, author of The Mystery Method: How To Get Beautiful Women Into Bed, and Lovedrop, author of Revelation.

Coming off the success of his first bestselling book, The Mystery Method, Mystery once again teams up with writer Chris Odom to "impart some pearls of wisdom," and this time, he has quite a story to tell. Just as his VH1 reality show The Pickup Artist is about to debut in the United States, Mystery and his crew have withdrawn to their gorgeous Miami mansion to get into shape and plot their next move. A one-on-one pua student, Adam, comes to stay at the house and get his every question answered. As a kaleidoscope of crazy pua characters enlivens the scene, Mystery begins to draw Adam deeper and deeper into his world, where he witnesses firsthand the pitfalls of the pickup artist lifestyle, and gains an intimate portrait of Mystery's ideas and struggles. Eventually Adam must decide whether the powers of the pua game are worth the surreal lifestyle that comes along with it. As the book progresses, Mystery and his partners, Lovedrop and Matador, travel from the sands of South Beach to the strip clubs of Las Vegas, criss-crossing the country to teach their seminars on pickup and seduction. They party in the Hollywood Hills, set up their own Pleasure Bubble, and taste the high life among the towering skyscrapers of Manhattan. Along the way, Mystery reveals the next level of game theory and technique, designed to catapult timid and insecure men into a world of confidence, attractiveness, and all-around success with women. Mystery serves another rich helping of knowledge this go-around, for those readers seeking his techniques…

• A list of all the triggers that create—and destroy—attraction

• A new way to approach strangers and start a conversation: microcalibrated openers

• Mystery’s most powerful humor technique, The Absurd—so you’ll never run out of things to say again

• A full chapter on physical escalation (touching, kissing, “making a move”)

• The solution to inner-game issues, for improved confidence

• A chapter on exotic dancers and strip clubs

• How to set up your pimp pad

• Mystery's philosophy on life

• Plenty of gambits

• And much, much more…

When it comes time for Mystery to reveal the secrets of physical escalation (touching, kissing, 'making a move') he says,

"Physical escalation is actually quite easy. Just read along with me, and I will show you how. Just do what I say and it will work. Don’t worry, it’s easy, and the moves I’m going to teach you will not get you rejected. Trust me, it’s fun and you can stop anytime. Now, let’s get right into it…"

With all the good advice in this book, Valentine's day is sure to be just a little less lonely this year. We didn't know it could be so easy, Mystery. Thanks for all the good work. The Pickup Artist: The New and Improved Art of Seduction, by Mystery with Chris Odom. Foreword by Neil Strauss, author of The Game: Penetrating the Secret Society of Pickup Artists. Also by Mystery: The Mystery Method: How to Get Beautiful Women into Bed

          Click here for more information on The Pickup Artist book

Mystery, Matador, Lovedrop & Discovery Review by Dyyz

September 23, 2009 by Blitz  
Filed under Dating Advice and Tips, Featured Articles

This should have been titled “All Instructors in LA Bootcamp.” Everyone was there except Hawaii that I have read about either from reviews or the forums. I mean, Kosmo and Joe D. from Season 1 of the Pickup Artist and Simeon, Greg and Brian from Season 2 were all there to help out, both in the classroom setting, as well as in-field. There was something to be learned from each and every one of them, and they are all very good.

The Classroom:

In the classroom settings you get two sessions with each instructor, Mystery, Matador, and Lovedrop; one one each day. The guys always run over the alloted time but that’s just because they have so much to teach and there isn’t nearly enough time for it all. At one point Mystery asked one of the other guys “are we making a schedule or running a bootcamp?” They want to make sure that they can instill every piece of knowledge possible in the time they have. I will do my best to touch on the ideas without saying too much, you have to see these guys explain it. It’s the difference from reading it to seeing it done.

Mystery’s classroom sessions included an indepth overview of the process and then an expanded session on the qualification step of the method. Mystery has so much information in his head that he cannot stop teaching. His teachings are thorough and very easy follow. He teaches the basic method that most everyone out there uses as the foundation for other methods or styles. Which is not entirely basic but it is easiest for an AFC to follow.

Lovedrop’s classroom experience is interesting as well because he openly admits that he knows he has to take most of the people in the classroom out that very same night and he teaches what will have the biggest impact on the students the quickest. That’s not to say that he isn’t thorough, it’s just that through experience, he’s learned what has the fastest results from the classroom to the in-field experience. I have also read where people are comming down on Lovedrop because he says “Mystery would say…” that’s because the process is so internalized for all of the instructors that in order to teach it, they have to actively think about what they do and what is the best way to teach it. As as I just said, the “basic” method that Mystery teaches is the one that gets the best results from the students the quickest. Lovedrop covers the inner game as well as kino escalation. The biggest thing I took away from his sessions is the ability to help control approach anxiety.

Matador’s classroom time was entirely different. He explains early on that he uses a different process than the other guys. He also explains that he goes through all of the method’s steps from A1 to C1 in a matter of seconds. It’s just all in how he calibrates and executes. His biggest topic is attraction. The so-called Matador Mayhem is based around sexual tension and is amazing. This guy has a way of breaking down what he does and how it works so that even an AFC could at least, attempt to do what he does.

Discovery dosn’t spend too much time with the students in the classroom. He is the one who debriefs with the students and he help fine tune what he saw in-field. He has a charisma about he that he passes on to the students in the delivery of the material. I wish we had more time with this guy, because he has a lot to offer the community.

The Pickup Artist guys all came in and joined us when it was time to breakup into smaller groups to practice the material and delivery. They are exponentially better than they were even at the end of the TV show. They help you with the details, from body language to vocal tonality and they can help out a lot because they have all been where all of us were before.

All of these guys have a way of explaining and breaking down things so that you not only know what to do, but know why it works so that you can apply it to yourself and your avatar and lifestyle. These guys tell you that the canned material they give you should only be used about 6 weeks then you should be able to come up with your own material. This is why the way that they teach is so effective.

In-Field:

I’m not sure I can explain the in-field experience better than anyone else, so I’ll just give a quick recap of what I experienced. First off, the first night they got us into the VIP room of the hottest club in LA. Now this was no easy task, there were over 20 guys and maybe 4 women in the group, so they pulled some strings to make that happen,a nd it was worth it. There were celebrities, reality TV personalities and prettymuch, you had to be somebody to be there, and we got to practice in that atmosphere. MikeyVegas was dead on when he said we owned the club, and that every guy wanted to be us and every girl wanted to be with us.

Mystery was working his game and it was amazing to watch. The instructors told us that is we see them do something and want to know how they did it, to go up to them and just ask and they will reverse engineer it for us, because just about everything they do is internallized and so it is an unconsious process most of the time for them.

Matador was amazing. He would grab some strange, beautiful girl and simply say, “Here let me introduce you to my friend,” to the girl then pass her off on to the students. Set open. Now don’t get me wrong, it didn’t always work with every girl but I was still in awe of what could be done with practice.
Lovedrop has a style his own in the club. There’s not a funnier guy to watch. He was just himself, but by being himself he demonstrated qualities that women respond to. And he teaches the students how to do the same. He helped me out several times, one especially where I got in my own headspace, he helped me get back to normal and begin opening sets again.

The pivots are phenominal. It’s hard not to look good when Kacey and Erica and the other girls are there with you. They have been doing this for a long time and know exactly when to DHV you and when you whisper in your ear infront of your set. They can do it all. When I wasn’t in set, I went back to find one of the pivots to get my head straight and they would help me open a set. I can’t say enough about the girls.
The Pickup Artist guys were also out there to help out. I’ll be honest, Kosmo is the man. He would drag me into set after set and he was amazing. It was great to hear some of the same lines that I had just learned, used by him and see that they work and what reaction you will get with them. Greg, from season 2 was also an all-star in-field. He seemed to always know just when to join me in a 2 set to help me isolate, and he knew just how to do it also. I spent a little time with all of the guys, but Kosmo and Greg were the two that really took me under their wing.

I hate to admit but I didn’t see Discovery too much in-field. I would have liked to have seen him at work a bit more. What I did see looked amazing, he was always in set and seemed to always isolate quickly. When I did speak to him, he was very good about fine tuning what he had seen me do. So he was paying attention to me and saw me more than I saw him, because he was always spot on with the advice.

Like I said much earlier in this review. Mystery never stops teaching. On our way out of the clubs, he was breaking down a set he worked, or a set he saw us in, or what we can do next time to make a set work for us. He is a machine. A fountain of knowledge, and all you have to do is listen and pay attention and he will teach you.

Breakout Sessions:

This will be a quick one. The breakout sessions are like Grad school for college. I attended all of them and they fine tune what you ahve spent the pervious two days learning. It’s like specializing in each field. Each instructor has an area where they excell and this is the time for them to teach you how and why.
Matador said it best at the end of the bootcamp. “I’ve taught you everything I know. Now it’s your turn to go out there and apply it and make it yours.”

This was an experience that I will never forget and learned an immense amount from. I can garuntee that I will be practicing what they have taught us and will utilize it in all aspects of my life, not just for picking up women. I know this was a lengthy review and if you’ve read it this far, I thank you. Again, like MikeyVegas, I did this review as much for myself as I did for the readers. I built a bond with the other guys in the camp as well as the instructors. And I know this may be too detailed a post, so if it need be ammended by an administrator, then please feel free. I got my thought out and thats a huge step towards internalizing the material. Thanks everyone for everything, and if you were there, please let me know if this is similar to your experience, or different, because I want to know everything I missed.

Lovedrop’s Violation Theory

May 17, 2009 by Lovedrop  
Filed under Featured Articles, Psychology

Craig once said that “It’s Always On.” My thoughts on this (why it is true) are,

While gaming, whenever escalation is possible, continue escalating AS A RULE. Ignore her non-committal behavior; she WILL act non-committal in order to handle her own ASD. She has to do this (explained below.) Just continue to plow in a non-needy way.

Women will act non-committal due to the sexual non-responsibility rule (a.k.a ASD), but subject to appropriate gaming they will continue to display passive IOIs such as allowing the gaming to continue, and allowing escalation (but acting like it’s weird in order to avoid responsibility/ASD.)

Have you ever been gaming a girl, and she has a weird smile on her face, with her eyebrows up, like she thinks you’re being weird? But at the same time, she continues to show passive IOIs. And also she doesn’t contribute that much, forcing you to carry most of the interaction. But she goes along with it. Players can miscalibrate this because of her weird look and her non-investment, they decide that she is being “a bitch” and they say “whatever fuck it then, I don’t care” when they actually could have kept plowing and got the girl.

This is interesting because ASD theory thus predicts the necessity of plowing. Plowing is also the accepted solution to token resistance, which is itself merely a more energetic form of this same passive IOI mechanism. Thus Token Resistance can be interpreted as an IOI. If she feels it necessary to begin avoiding responsibility for something that she feels inside, and she telegraphs this feeling via token resistance behavior, can’t we then take it as an indicator?

Some new terms:

Predictive Resistance: This is similar to token resistance, except she volunteers it without prompting. (Usually token resistance is thought of as a RESPONSE to some compliance test from the player.) Example: “I hope you know we’re not having sex tonight.” Why would she say this unless she is feeling ASD? And if I am not currently escalating, how does she feel ASD? Because she is getting excited and thus feels the need to avoid responsibility for it. This is how ASD gets activated. This is also WHY we have traditionally known that predictive resistance is actually an IOI from the girl. Girls don’t say that sort of thing to beggars on the street. They say it to hot guys when they are sitting on their couch together.

This is also why false disqualifiers work…because they eliminate her need to avoid responsibility and thus DEACTIVATE ASD.

Plowing is necessary yet so is flipping the script. You must do both.

Indicators: There are IOIs and IODs. Are there also IOQs? I.e. indicator of qualification. If there are reliable indicators for various other aspects of the game, such as the above-described “passive ioi / asd” indicator then perhaps we can improve intuitive accuracy. There must be entire classes of indicators and common confusions that occur.

====================

Eventually she opened up when I was just being myself and having fun,
***being persistent and smiling was key.

Formula: Due to previously discussed “act like you’re weird but give passive IOIs” mechanism, smile (relaxed, no big deal, being myself, unreactive) while plowing (90% rule) and using positive misinterpretation. Actually just viewing everything through the most positive frame possible.

This still gives room for routines (such as an opening stack) and calibration (such as negs and kino plowing.)

Everything else still applies…use DHVs, use false disqualifiers, kino escalate, get investment and qualify her, etc.
=====

TRY sarging from the frame of mingling, or spidering, where you’re not necessarily trying to pickup but only trying to meet high-value people and add them to your social circle.

ALSO try doing this but ALSO doing pickup as well. Doing jealousy, etc.

=====

Violation theory / ethics

Often we can violate social norms in the field, for the sake of practice or experimentation, and this is part of the learning process. In fact this is important for learning more about how social interaction really works, and we must feel dispassionate. But in the long term, we still must be aware of social norms and how they affect our game – we have to “surf the wave” and think intelligently about how to exploit these mechanisms, and not hide behind an “I don’t give a fuck” attitude. This becomes ESPECIALLY RELEVANT when you begin to focus more on social circle game and less on cold approach game. You only live once!

When someone comes in your set, and is nice to you, without making social errors, then you are a violator if you are rude or cruel to him. If his frame is really weak, then he will still lose. But if he has a strong frame and is unreactive, then he will win, since YOU are the one who is in violation. You are the one who was being mean.

Conversely, if you go into someone else’s set, and you are nice, without making social errors, then the set is under a certain social obligation to show basic politeness. They can’t just ignore you. At this point you can just plow.

Why is this important? Because this ethical rule seems to be in operation socially, whether people see it or not. And because there is power to be derived: There is no longer any social obligation to be polite once someone has become a violator. If you enter a guy’s set politely, and the guy is rudely amoging you without provocation, he is a violator and you can now just ignore him like he’s not there. The more he reacts after that, the more his value drops while yours goes up. You couldn’t have previously ignored him if he hadn’t been rude – since that would have turned YOU into a violator.

There has been an important question related to AMOG tactics for a while now. The question is, if I am AMOGing the guy, aren’t I becoming more and more reactive to him, thus giving him power? AMOG lines are cool, but “less is more”…etc. Calibration is important:
— You can just AMOG him. You MUST calibrate that he will knuckle under your frame before you attempt this.
— If you miscalibrate and he retains a strong frame and positive attitude, then he wins. You are now in violation and he can ignore you.
— Instead of attacking him, you can BAIT him to try to AMOG you. (People have previously used these terms interchangeably, but I am now suggesting that there is a difference.) If he does, he is now a violator and you can ignore him. Most people will fall for this, this is why classical AMOG theory works. This is the mechanism being exploited. If he doesn’t take the bait, you are still in the game since you only baited and you never actually violated. But you lost a little “social energy”. The more obvious it becomes that you are baiting him, the more you are REACTING to him. The less he takes the bait, the more YOU are becoming REACTIVE to HIM.
A piece of violation theory (or “ethical theory”) thus becomes the ability to bait people into making social errors. People will often hang themselves without your help. Other people need some rope. If you can bait people into violating (or DLVing which I think is slightly different. A DLV is a social error but a social error is not a DLV.) If you can bait people into violating, then the rules now apply: I can ignore the person without become a violator myself. My value will continue to rise and his will continue to drop. This will also generate attraction in nearby females. Useful?
I think that girls are really good at this. Stupid girls just violate (they can get away with some degree of this but they lose power as a result). But girls with social skills will bait other people to violate. Or even worse: set a double-bind frame and so NO MATTER what you do, you just hung yourself.

This is interesting as well: if she sets a double-bind frame where I will lose, and I don’t come up with a good comeback (reframe), then I will also lose. The fact that I was silent subcommunicates that I couldn’t think of a good response, making me the loser in the battle of the wits. It is also implicitly interpreted by her that her frame must have been correct, that I AM a violator, and that I had nothing to say in my own defense. She can now ignore me AND continue dropping my value if I stick around (due to violation theory.)

POSITIVE MISINTERPRETATION
This shows why frame control is so important, why I must always have a good answer to a shit test. She is baiting me to disqualify myself. And not only must I have a good answer, but I must be totally friendly and nice and unreactive. Even if she is non-responsive, or acts like I’m weird, or challenges me, I mustn’t be rude, unfriendly, or angry/reactive, because that is exactly what she is baiting me to do. For the sole purpose of making me a VIOLATOR so that she can blow me out without becoming a violator herself. Notice that when your value is low, girls will get really impatient and try to pick fights so that they have moral justification to blow you out. Girls will also do this when they want to end a relationship. Again, this all stems from the “no responsibility” rule.

How to get to her WITHOUT VIOLATING.
— Be friendly and nice, without “crossing that line” of being mean to someone, while simultaneously plowing and interpreting everything in a positive way. Do NOT get reactive or you lose. Just act like nothing is a big deal, keep plowing and being yourself, and don’t violate social norms.
— Neg. Perhaps this is why Negs have been so hard to understand. I can define a neg as something that conveys disinterest, while simultaneously NOT crossing a violation line. If I say, “I hate you, you fucking bitch” then I have conveyed disinterest. But I have also disqualified myself by violating. Now I’m creepy and people can ignore me without feeling guilty. She’s looking to screen me out anyway, early on especially, so I basically just made it easy for her. (Some guys walk away from this sort of thing saying, “Whatever, I don’t care. I really don’t give a fuck.” It’s good to not give a fuck. But that attitude should be combined with the social intelligence not to make social errors and get yourself disqualified. We are playing to win, so don’t deliberately hang yourself. People WILL give you the rope – watch out for it. They are baiting you.)
Negs allow me to do very useful things (frame control, false disqualifiers, emotional stimulation, comfort building, value subcommunication) while simultaneously NOT crossing the violation boundary and getting disqualified. I’m still friendly and unreactive. I’m not a violator. And as long as I keep plowing, she can’t blow me out.

This may be what people are talking about when they say that people can’t blow them out of set anymore.

Ways that SHE will try to BAIT YOU to violate
— Her friend runs over and they scream and hug. Now they have created a new shared frame together. If I bust in, in a reactive way, I am now a violator. If I stand there like a dork, I feel stupid and start to panic. The social pressure is building on me…I can’t leave and I can’t stay. Eventually I slink away. Notice that Mystery‘s solution FOLLOWS SOCIAL NORMS: First you cut your thread (appropriate) then you ask the target to introduce the obstacle (appropriate)
— Her friend is rude to you. You are rude to her friend. Now the target can treat you like a violator and it’s “not her fault.” Don’t take the bait.
— “Well thanks for coming over to say hi, it was really nice to meet you.”
— “Um, we haven’t seen each other in a long time; we’re having a really important conversation right now.”
— These are interesting because now if I stay, I am a violator EVEN IF I CONTINUE TO BE NICE. They have set the frame that merely being there makes me a violator. In my experience, the best solution here is a massive value demonstrator combined with a false disqualifier: “Oh we’re actually on our way over to Skybar, I just wanted to stop and say hi first…” (stack forward.) ANY OTHER SUGGESTIONS FOR THIS?
— Another suggestion for this, of course, is to come in with massive value and a false time constraint in the FIRST PLACE, so they don’t bait me in this way. For example, you get a lot less of this bullshit if you have first been building your value in the room, for example by parading a hot girl around. Ever notice that the other sets open easier once you have been parading a hot girl around?
Interesting: When Mystery handles an interrupt, he reminds the target that it’s “the polite thing to do” to introduce him to the obstacle. Now she has to do it, she would be a VIOLATOR if she didn’t. So she does. Interesting that she can PRETEND she didn’t think of it and absolve herself of responsibility. If she leaves you standing there and you eventually leave, it’s still “not her fault.” But once you make it explicit that she’s being rude, now she HAS to follow social norms, so she does. There are thus cases where you can use your knowledge of social norms to force people to comply with them where they might normally pretend they didn’t notice. This is why social norms are so interesting – because people DO follow them, whether they have full knowledge of them or not. But having that knowledge gives you an edge.
— Also interesting: If I explicitly voice a secret society rule or understanding, I HAVE committed a violation. BUT I can act as if I didn’t notice it and still get away with it. Other people nearby can ignore it and it will go away. But if someone says “but of course” he is pointing that that I am a violator, that I have made explicit something that people prefer to assume. This is because people like to act Secret Society, without being made RESPONSIBLE for it, by pretending they don’t know. When I point it out explicitly, they can no longer pretend, and thus they are forced to deny their own behavior and to pay lip service to social programming. I have become a PARTY POOPER – a VIOLATOR. I have already fucked up. But by saying “but of course” the person has now made my fuckup clear and my lack of social intelligence is now evident. DON’T TALK ABOUT THE SECRET SOCIETY. Remember one of the rules of the Secret Society is that you don’t talk about it. Talking about it implies that you aren’t familiar with the rule, and thus you must NOT BE A MEMBER.
— Thus the strategy should always be to ASSUME the secret society is true, and escalate accordingly, while simultaneously pretending that it’s not true and also paying lip service to the typical social programming.

— The phrase “it’d be rude not to.” This phrase absolves yourself of responsibility by implying that you would be a violator if you did anything else. Remember, people can’t blame you if there is a higher authority. This phrase uses social norms as a higher authority.
— Interesting that the phrase can ALSO be used in cases where it’s NOT LOGICALLY TRUE, but will still have the same effect regardless. The more obvious it becomes that the phrase is actually not appropriate, the more funny it becomes when you use the phrase. What is the tie-in here with humor?

Are there ways to get rid of someone WITHOUT using violation theory?
— can’t think of one

This could be really important.

Some general principles:
— Don’t ever violate a social norm since it causes you to lose power. (Unless you are doing some specific practice or experimentation.) Always keep the “high ground” morally. Always be unreactive, friendly – and plow.
— If someone BAITS you, continue to be unreactive, friendly, and plow.
— If someone VIOLATES you, you can now AMOG and IGNORE him without becoming a violator. Ignore is preferable since it is less reactive. A single good AMOG line can be useful as well depending on context.
— You can also BAIT someone into violating. If he takes the bait, he is now a violator and the above now applies.
— If he doesn’t take the bait, then calibrate: Can you bait him again? If you keep it up, he will gain an edge because you are reacting slightly more. The most you can do beyond this is just be unreactive, friendly, plow, and ignore him as much as possible without going into violation.
— If you can calibrate that the person has a weak frame, you can just violate him and retain the stronger frame. But beware: now all of his friends, some of whom may be socially more intelligent than him, can ignore you and get away with it.

Back to this paragraph:
Have you ever been gaming a girl, and she has a weird smile on her face, with her eyebrows up a bit, like she thinks you’re being weird? But at the same time, she continues to show passive IOIs. And also she doesn’t contribute that much, forcing you to carry most of the interaction. But she goes along with it. Players can miscalibrate this because of her weird look and her non-investment, they decide that she is being “a bitch” and they say “whatever fuck it then, I don’t care” when they actually could have kept plowing.

What’s really going on is that she uses her facial expression to set a frame that you are weird. This absolves her of responsibility of what is happening (so she can allow it to continue.) Unfortunately, this also baits the PLAYER to become a violator. “I’m not BEING weird, but she’s ACTING like I’m weird. What a BITCH!” If you aren’t socially intelligent, you will take the “bait” that she was “rude” to you, and thus you will be rude back to her. Once you do this:
— IN YOUR MIND: She was rude for no reason, therefore I was rude back. Whatever. Fuck her. I don’t care. Women are bitches.
— IN HER MIND: I didn’t do anything wrong. He was being weird to me and then he was being rude to me so I filtered him out. Just another loser.

A guy with a stronger frame will remain unreactive to her bait and friendly, and will never go into violation and won’t get screened out. He can’t get blown out. Now all he has to do is continue stimulating her emotions and DHVing. The best part is that the unreactive, friendly part is a DHV in-and-of-itself.

So she is selecting for strength. Is she trying to blow me out or trying to get with me? BOTH. One or the other will work, either outcome is fine with her. It’s not her fault either way. I COULD interpret that she is blowing me out, and I’d be RIGHT. I could get all reactive about this. Or I COULD interpret that it is ON and that she is testing for strength. And I would be RIGHT in this case as well. It is my own value and my own subcommunications that determine which way she will interpret it. NOT — HER — FAULT.

Other concepts:
Different violations, and different baits, have differing levels of plausible deniability.
Some violations only exist if they are pointed out (“Introduce me to your friend, it’s the polite thing to do.”)
Some baits are more or less reactive. If it isn’t obvious that I’m baiting (“thanks for stopping by!”) then I retain plausible deniability while simultaneously forcing the person to become a violator if they stay. I don’t come off as reactive. If it IS obvious that I’m baiting (“oh that’s a really nice coat you got there. You from the CIRCUS?”) then I’m also perceived as more reactive. If I continue baiting in this way I will become the more reactive one and eventually lose. This is why, when AMOGing, “less is more.” I gave myself less plausible deniability.
— Always maximize my own plausible deniability, and that of my target, while minimizing that of rival players and AMOGs.

“Can I have a light?” is a great opener (I got the idea from Christophe). It ties in here because it’s a socially reasonable request, and makes the person look like a jerk if they don’t give you compliance. This is why it’s better to use small hoops early on…because the smaller the hoop, the more of a violator the person appears to be if they defy.